[Team Lab]
Team Lab holds a solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa, in August. Ticket sales start from June 3 (Mon).

Team lab Team Lab holds a solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa, in August. Ticket sales start from June 3 (Mon). ………………………………………………………………………………………… Team Lab will hold a solo exhibition “Team Lab: An Immortal Flower Floating in the Sea of ​​Eternity” at the Contemporary Art Museum “Kanazawa 21st Century Museum” in Ishikawa Prefecture and Kanazawa City. The exhibition period is from August 9 (Fri) to September 1 (Sun). Tickets will be sold at Seven Tickets and the official ticket site from 10:00 on June 3 (Mon).

[Image 1: https://prtimes.jp/i/7339/622/resize/d7339-622-357999-0.jpg]

[Video 6: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=PfwFjcWGHqg]
The exhibition is an installation of one continuous wave “Black Waves: Lost and born and born” and a space that continues to change under the influence of the visitor’s behavior “Continuous life and death in the eternal present, you can not control However, the book “Nipponsho” written in the space rotates in the work space, including “Living Together”, “Inverted Indiscrimination-Black in White”, flowers drawn by the visitors are created on the wall, and they are spread and spread We will exhibit “Graffiti Flowers Bumming” and so on. In this exhibition, team labs make people and other people part of the work and blend in, changing the boundaries between themselves and others into continuous ones, and having no boundaries between us and the world I want to explore new relationships. Exhibition Details: www.teamlab.art/jp/e/kanazawa21/
【Displayed work】
Black Waves: Lost and Born Black Waves: Lost, Immersed and Reborn teamLab, 2019, Digital Installation, Continuous Loop, Sound: Hideaki Takahashi
[Image 2: https://prtimes.jp/i/7339/622/resize/d7339-622-499235-1.jpg]

[Video 7: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=0eZT6BnjkU4]
www.teamlab.art/jp/w/blackwaves_lost_immersed_and_reborn/ One continuous wave installation (the waves are all connected in series like a single stroke in the exhibition space). People, together with others, become part of the work and blend in, changing the boundaries between themselves and others into continuous ones, and exploring new boundaries between us and the world. In the space on the computer, we simulate the movement of water on three dimensions and construct waves. Water is expressed as a continuum of innumerable water particles, and the interaction between particles is calculated. Then, a line is drawn by the behavior of water particles, and a line is drawn on the surface of the wave in three dimensions. Then, a set of three-dimensionally drawn lines is flattened into an image work by the “super-subjective space” considered by team labs. In pre-modern Japanese painting, water such as rivers and oceans is often expressed as a set of lines. And, the set of lines feels a sense of life somewhere like a living thing. For the people of premodern age, the world might have actually been seen like classical Japanese paintings (a collection of lines that look like creatures in the case of rivers and the sea etc.) . “Why did the pre-modern people behave as if they felt life in the river or the sea itself?” And “Why do they behave as if they were part of nature as well? It feels like the hint to the question “is it?” Is in those pictorial expressions. If the wave of this work is more than the real wave cut with a video camera, the sense of entering the world of work, such as the border between the viewer and the world of work, is more bold. For example, if you feel that the set of lines is a living thing, and you experience the viewer as if they are in love with the waves, it will be generated from the pre-modern Japanese “view of the world” The connection with “the behavior to the world” comes to light. Nature is not the object of observation, and the behavior as if it was considered as “oneself is also a part of nature” is simply that the way people once looked is part of nature like rivers and oceans It may be because it looks like a living thing, and it looks easy to let even a part of nature get jealous. In other words, I think that it may not be because it was a way of seeing that there is no boundary between nature and oneself. Continuous life and death in the eternal present, I can not control but live together Continuous Life and Death at the Now of Eternity, Can not be Controlled But Live Together teamLab, 2019, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi
[Image 3: https://prtimes.jp/i/7339/622/resize/d7339-622-384167-2.jpg]

[Video 8: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=sqblYTQg9j4]
www.teamlab.art/jp/w/continuous_life_and_death/ In the flow of real time, flowers are born, bloom, eventually scatter, wither and die. Flowers will repeat birth and death forever. The work world becomes brighter with the sunrise of the place where the work is placed, and it gets darker with the sunset. And, throughout the year, the blossoming flowers are changing. When people touch the flowers are scattered, and when they keep touching, they are born more than usual. The works continue to be drawn in real time by computer programs. It does not mean that the prerecorded video is played back. As a whole, the former state continues to be transformed while being influenced by the viewer’s behavior without being replicated. Now the picture of this moment can not be seen again. Reversing no distinction-Black in White Reversible Rotation-Black in White teamLab, 2018, Digital Installation, Sound: Hideaki Takahashi
[Image 4: https://prtimes.jp/i/7339/622/resize/d7339-622-877564-3.jpg]

[Video 9: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=bLOmxIFF0wY]
www.teamlab.art/jp/w/reversible-blackinwhite/ The written blanks are all rotated in the same direction in the work space, but depending on consciousness, they become counterclockwise and also counterclockwise. An empty book is a book written in space. The three-dimensional reconstruction of space, such as the depth, speed, and strength of power possessed by the ink marks of the book, is performed in a new interpretation. Graffiti Flowers Boming Graffiti Flowers Bombing teamLab, 2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi
[Image 5: https://prtimes.jp/i/7339/622/resize/d7339-622-508035-4.jpg]

[Video 10: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=Aokr_Ya1zTQ]
www.teamlab.art/jp/w/graffiti-flowers-bombing/ The flowers that people drew on paper are born on the wall, and grow and spread. These flowers are born, bloom, scatter and die as people draw. As it scatters, the flower itself draws a new line by the locus of petals. Flowers are born more than usual when people put their hands on the wall, and scatter when they move them. This work is based on the Red List and includes endangered wildlife in the country.
【Overview of held】
Team Lab Immortal Flower Floating in the Sea of ​​Eternity www.teamlab.art/jp/e/kanazawa21/ # TeamLab # teamLab # 21st Century Art Museum # Immortal Flowers Floating in the Eternal Sea Period: August 9 (Fri)-September 1 (Sun), 2019 Venue: 21st Century Museum of Contemporary Art, Kanazawa Citizens Gallery A, B (1-2-1 Hirosaka, Kanazawa City, Ishikawa Prefecture) Time: 10: 00-18: 00 (Friday / Saturday 20:00) * Final admission is 40 minutes before closing time Closed day: None access: About 10 minutes by bus from JR Kanazawa Station Bus Terminal Kenrokuenguchi (East Exit), 3rd and 6th, get off at the “Hirosaka 21st Century Museum of Art”. About 10 minutes by bus from Kenrokuen Exit 8-10 and getting off at “Korinbo” (in front of Atrio), about 5 minutes on foot. About 20 minutes from JR Kanazawa Station Bus Terminal East Exit No.7, get off at “Hirosaka 21st Century Museum (Ishiura Shrine)” About 10 minutes from JR Kanazawa Station Bus Terminal East Exit No.6, get off at “Hirosaka 21st Century Museum of Art” Charge (date designation ticket): Adults (high school students and above 15 years old): 2,200 yen Dwarf (4 years old-junior high school student): 1,000 yen Disability discount: ¥ 1,100 Under 3 years old: free ※ You can purchase a ticket with a discount for disabled people only for the person with disability certificate and one companion, only for official ticket site and venue sales. ※ Ticket is date designation ticket. ※ There is no silver and group discount. Ticket sales: Seven tickets: 7ticket.jp/g/001913 Official ticket site: kanazawa21.teamlabticket.com North Korea newspaper reader service center: hk-event.jp/event/ev_pcMap.php?mp_kind=ticketcenter Organized by: Team Lab Involuntary flowers floating in the eternal sea Executive Committee Sponsored by: 21st Century Museum of Contemporary Art, Kanazawa
[Kanazawa Arts Creation Foundation]
Special Sponsor: Seven Tickets Supported by: Ishikawa Prefecture, Kanazawa City, Ishikawa Prefecture Arts and Culture Association, abn Nagano Asahi Broadcasting, FM Ishikawa, radio kanazawa, radio small radio, radio nana, kanazawa cable Representative Phone: Team Lab In permanent flower floating in the eternal sea Executive Committee Secretariat (within Kitakuni Shimbun Business Bureau) 076-260-3581 (10:00 to 18:00 on weekdays, Saturdays, Sundays, and holidays)
【Team Lab / teamLab】
Art Collective. Activities started in 2001. A multidisciplinary ultra-technicist group seeking a crossroads of art, science, technology, design, and the natural world through collective creation. It consists of specialists in various fields such as artists, programmers, engineers, CG animators, mathematicians and architects. TeamLab wants to explore new relationships between humans and nature, and between itself and the world, through art. Digital technology has freed art from matter and made it possible to cross boundaries. We believe that there is no boundary between ourselves and nature, and between ourselves and the world. Each other exists in each other. Everything is miraculously at risk for long, long, endless continuity of life. “Team Lab Dancing! Art Exhibition and Learning! Future Amusement Park” (2014) visited by 470000 people, “Milan Expo 2015” Japan Pavilion, Silicon Valley, Taipei, London, Paris, New York, China, Holding permanent exhibitions and art exhibitions in Singapore and other countries. In Odaiba, Tokyo, a museum without a map “Mori Building Digital Art Museum: Epson Team Lab Borderless” will be established. “Museum entering the water” in Toyobo, Tokyo, in the fall of 2020 “Team Lab Planets TOKYO DMM.com”, and on TANK Shanghai (Shanghai, China) until August 24, 2019 “teamLab: Universe of Water Particles in the Tank” Holding TeamLab’s work includes the New South Wales State Art Museum (Sydney, Australia), the South Australia State Art Museum (Adelaide, Australia), the San Francisco Asia Art Museum (San Francisco), the Asia Society (New York), Bolsan Contemporary Art, The collection is permanently stored in the collection (Istanbul, Turkey), Victoria National Museum (Melbourne, Australia), and Amos Rex (Helsinki, Finland). teamLab is represented by Pace Gallery. Team Lab: teamlab.art/jp/ Instagram: instagram.com/teamlab_news/ Facebook: www.facebook.com/teamLab.inc twitter: https://twitter.com/teamLab_news YouTube: www.youtube.com/c/teamLabART
[Kanazawa 21st Century Museum of Art]
The 21st Century Museum of Contemporary Art, Kanazawa, opened in October 2004 for the purpose of creating a new culture and creating a new town. Known as the “21 beauty”, by symbiosis with the museum and the town, we will create the attraction and vitality of new Kanazawa. The 21st Century Museum of Contemporary Art, Kanazawa, is an art museum that attends contemporary contemporary art expressions with the public. In this age of us, various expressions are emerging that transcend time and space and cross traditional genres. By touching and experiencing these artistic activities directly, we will bridge the region to the creation of the future. The 21st Century Art Museum is expected to play a role as a new “town open space”, including education, creation, entertainment and communication. We will work with various organizations such as citizens and industry to develop totally new art museum activities. And, from the intercultural perspective, it will be an experimental place where you can ask what kind of possibilities the indigenous culture of the region, including crafts, which has been known since the republic of Japan, has a diversifying 21st century. As a classroom open to children who will create a culture of the future, providing an optimal environment to see, touch, and experience, the museum will evolve with the growth of children and grow over time. www.kanazawa21.jp/

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