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[Team Lab] Team Lab holds a solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa, in August. Ticket sales start from June 3 (Mon).
Team lab Team Lab holds a solo exhibition at the 21st Century Museum of Contemporary Art, Kanazawa, in August. Ticket sales start from June 3 (Mon). ………………………………………………………………………………………… Team Lab will hold a solo exhibition “Team Lab: An Immortal Flower Floating in the Sea of Eternity” at the Contemporary Art Museum “Kanazawa 21st Century Museum” in Ishikawa Prefecture and Kanazawa City. The exhibition period is from August 9 (Fri) to September 1 (Sun). Tickets will be sold at Seven Tickets and the official ticket site from 10:00 on June 3 (Mon).
[Image 1: https://prtimes.jp/i/7339/622/resize/d7339-622-357999-0.jpg] [Video 6: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=PfwFjcWGHqg] The exhibition is an installation of one continuous wave “Black Waves: Lost and born and born” and a space that continues to change under the influence of the visitor’s behavior “Continuous life and death in the eternal present, you can not control However, the book “Nipponsho” written in the space rotates in the work space, including “Living Together”, “Inverted Indiscrimination-Black in White”, flowers drawn by the visitors are created on the wall, and they are spread and spread We will exhibit “Graffiti Flowers Bumming” and so on. In this exhibition, team labs make people and other people part of the work and blend in, changing the boundaries between themselves and others into continuous ones, and having no boundaries between us and the world I want to explore new relationships. Exhibition Details: www.teamlab.art/jp/e/kanazawa21/ 【Displayed work】 Black Waves: Lost and Born Black Waves: Lost, Immersed and Reborn teamLab, 2019, Digital Installation, Continuous Loop, Sound: Hideaki Takahashi [Image 2: https://prtimes.jp/i/7339/622/resize/d7339-622-499235-1.jpg] [Video 7: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=0eZT6BnjkU4] www.teamlab.art/jp/w/blackwaves_lost_immersed_and_reborn/ One continuous wave installation (the waves are all connected in series like a single stroke in the exhibition space). People, together with others, become part of the work and blend in, changing the boundaries between themselves and others into continuous ones, and exploring new boundaries between us and the world. In the space on the computer, we simulate the movement of water on three dimensions and construct waves. Water is expressed as a continuum of innumerable water particles, and the interaction between particles is calculated. Then, a line is drawn by the behavior of water particles, and a line is drawn on the surface of the wave in three dimensions. Then, a set of three-dimensionally drawn lines is flattened into an image work by the “super-subjective space” considered by team labs. In pre-modern Japanese painting, water such as rivers and oceans is often expressed as a set of lines. And, the set of lines feels a sense of life somewhere like a living thing. For the people of premodern age, the world might have actually been seen like classical Japanese paintings (a collection of lines that look like creatures in the case of rivers and the sea etc.) . “Why did the pre-modern people behave as if they felt life in the river or the sea itself?” And “Why do they behave as if they were part of nature as well? It feels like the hint to the question “is it?” Is in those pictorial expressions. If the wave of this work is more than the real wave cut with a video camera, the sense of entering the world of work, such as the border between the viewer and the world of work, is more bold. For example, if you feel that the set of lines is a living thing, and you experience the viewer as if they are in love with the waves, it will be generated from the pre-modern Japanese “view of the world” The connection with “the behavior to the world” comes to light. Nature is not the object of observation, and the behavior as if it was considered as “oneself is also a part of nature” is simply that the way people once looked is part of nature like rivers and oceans It may be because it looks like a living thing, and it looks easy to let even a part of nature get jealous. In other words, I think that it may not be because it was a way of seeing that there is no boundary between nature and oneself. Continuous life and death in the eternal present, I can not control but live together Continuous Life and Death at the Now of Eternity, Can not be Controlled But Live Together teamLab, 2019, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi [Image 3: https://prtimes.jp/i/7339/622/resize/d7339-622-384167-2.jpg] [Video 8: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=sqblYTQg9j4] www.teamlab.art/jp/w/continuous_life_and_death/ In the flow of real time, flowers are born, bloom, eventually scatter, wither and die. Flowers will repeat birth and death forever. The work world becomes brighter with the sunrise of the place where the work is placed, and it gets darker with the sunset. And, throughout the year, the blossoming flowers are changing. When people touch the flowers are scattered, and when they keep touching, they are born more than usual. The works continue to be drawn in real time by computer programs. It does not mean that the prerecorded video is played back. As a whole, the former state continues to be transformed while being influenced by the viewer’s behavior without being replicated. Now the picture of this moment can not be seen again. Reversing no distinction-Black in White Reversible Rotation-Black in White teamLab, 2018, Digital Installation, Sound: Hideaki Takahashi [Image 4: https://prtimes.jp/i/7339/622/resize/d7339-622-877564-3.jpg] [Video 9: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=bLOmxIFF0wY] www.teamlab.art/jp/w/reversible-blackinwhite/ The written blanks are all rotated in the same direction in the work space, but depending on consciousness, they become counterclockwise and also counterclockwise. An empty book is a book written in space. The three-dimensional reconstruction of space, such as the depth, speed, and strength of power possessed by the ink marks of the book, is performed in a new interpretation. Graffiti Flowers Boming Graffiti Flowers Bombing teamLab, 2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi [Image 5: https://prtimes.jp/i/7339/622/resize/d7339-622-508035-4.jpg] [Video 10: https://prtimes.jp/api/movieim.php?t=youtube&url=www.youtube.com/watch?v=Aokr_Ya1zTQ] www.teamlab.art/jp/w/graffiti-flowers-bombing/ The flowers that people drew on paper are born on the wall, and grow and spread. These flowers are born, bloom, scatter and die as people draw. As it scatters, the flower itself draws a new line by the locus of petals. Flowers are born more than usual when people put their hands on the wall, and scatter when they move them. This work is based on the Red List and includes endangered wildlife in the country. 【Overview of held】 Team Lab Immortal Flower Floating in the Sea of Eternity www.teamlab.art/jp/e/kanazawa21/ # TeamLab # teamLab # 21st Century Art Museum # Immortal Flowers Floating in the Eternal Sea Period: August 9 (Fri)-September 1 (Sun), 2019 Venue: 21st Century Museum of Contemporary Art, Kanazawa Citizens Gallery A, B (1-2-1 Hirosaka, Kanazawa City, Ishikawa Prefecture) Time: 10: 00-18: 00 (Friday / Saturday 20:00) * Final admission is 40 minutes before closing time Closed day: None access:
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