[The Chain Museum Co., Ltd.] GASBON METABOLISM x ArtSticker will be holding a joint exhibition “Kizu Sotsutsu / kizu” at Art or Rice Naka Shirakuna from October 1, 2024 (Tuesday)
The Chain Museum Co., Ltd. Press release: September 26, 2024 GASBON METABOLISM × ArtSticker joint exhibition “Kizu Sotsuki / kizu” will be held at Art or Rice Naka Shirachu from October 1, 2024 (Tuesday)
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collaboration with GAS AS I/F, Inc. (Headquarters: Minato-ku, Tokyo, hereinafter referred to as “GAS AS I/F”), we are holding an exhibition called “Suzuki Sosukuri /” featuring artists from diverse backgrounds with the theme of “Cities as Scabs.” We would like to inform you that we will be holding “kizu”. The venue is “Art or Rice Noodles or Paichu” in Roppongi, which is operated by ArtSticker. ▽Click here for exhibition details https://artsticker.app/events/44157 *The works exhibited in this exhibition will be sold exclusively at ArtSticker. All sales will be accepted from 17:00 on Tuesday, October 1, 2024 on a “first come, first served” basis.
Project overview This exhibition is a group exhibition of five artists and one group. Through the experience of the city, its structures and spaces, we will deepen our thoughts on the feelings and memories that are imprinted/imprinted on “individuals” with the keyword “city as a scab”. A city is an aggregation of people’s activities, and at the same time, the traces and scars of people and goods gathering and activities appear on the ground surface. Architecture is a trace of land, ground, soil, and human activities, and is the result of communication with humans, and can be considered a temporary form. People grasp the spaces built in cities, surround themselves with them, regulate their own behavior, move around, collect information, and accumulate experiences. A city with complex and multi-layered functions that pursues economic efficiency while also appealing to waste and desolation. For those of us who live in the fantasy of development, what artists express in their works should serve as an opportunity to escape from the landscape that has been imprinted on us. “kizu” has contradictory meanings, to hurt and to build up, but they are overlapped by the character “so”, which has both the meaning of creating and the meaning of hurting. What meaning does “the city as a scab” have as our perspective on the dynamically changing city intersects with our physical sensations?
Exhibition details “Wound creation / kizu” Schedule October 1, 2024 (Tuesday) – October 26, 2024 (Saturday) *Closed on Sundays and Mondays Time 17:00～23:00 Location Art or rice noodles or birchū Address 2nd floor, Asahi Seimei Roppongi Building, 5-2-4 Roppongi, Minato-ku, Tokyo 106-0032 (Please go up the stairs to the left of the elevator to the 2nd floor) ＞ Google map Collaborator Gas as Interface Co., Ltd. Cooperation ArtSticker (operated by: The Chain Museum) Admission fee Free Exhibiting artist Takao Kobayashi, Koichi Ebitsuka, GROUP, Salina Sattapon, Naoto Nakamura, Yukasa Narusada
Participating artists Keisei Kobayashi Born in Shimane Prefecture in 1944. It is characterized by its spatial expression, which combines ultra-thin and translucent gampi paper (Japanese paper) with multiple precision woodblocks created using woodblock printing. By making full use of techniques such as “mirror pasting,” he was able to enlarge the size of his “woodcut” works, which were used for book
illustrations and picture book printing. His collection of over 400 woodblock prints, which he began producing in 1976, includes the artist’s representative “Time of Resurrection” series (1985-), “Talk Landscape” and “White Morning or Early Dawn” series ( Continuing with the “The Sun Also Rises” series (2000-) (2008-), he has consistently depicted a grand story of harmony between diverse life and
civilization. Works are collected at the National Museum of Modern Art, British Museum, New Zealand Museum of Modern Art, etc. Chairman of the Japan Print Association / Professor Emeritus of Tama Art University (Department of Painting, Department of Printmaking, Faculty of Fine Arts) facebook: Keisei Kobayashi Koichi Ebizuka Born in Yokohama in 1951 1976 Graduated from Tama Art University, Department of Architecture 1979 Completed Tama Art University Graduate School of Fine Arts 2022 Retirement as Professor, Department of Art, Faculty of Fine Arts, Tama Art University He independently develops his work as an artist through his interactions with water, wind, and children. “6th India Triennale” Gold Medal, “4th Asian Art Biennale, Bangladesh” Best Artist Award, 15th Hirakushi Denchu Award, “19th Contemporary Japanese Sculpture Exhibition” Kanagawa Prefectural Modern Art Received the Takashimaya Cultural Award, etc. Instagram：
@koichi_ebizuka Sareena Sattapon Born in Thailand in 1992. He received his bachelor’s and master’s degrees from the Department of Painting, Sculpture and Graphic Arts at Silpakorn University in Bangkok. As of 2021, he is currently living in Tokyo as a research student in the Global Art Practice Department at Tokyo University of the Arts. He has held exhibitions, residencies, and performances in many countries including Thailand, Hong Kong, Singapore, South Korea, China, Indonesia, Taiwan, Germany, Poland, Ukraine, Slovakia, Hungary, Norway, and Japan. Drawing inspiration from his personal background as an ethnic minority in Thailand and his daily life, he has continued to create in a variety of media including performance art, photography, video art, and installation. In recent years, due to concerns about the large amount of resource consumption and waste involved in art production and presentation, he has been conducting projects with a zero waste theme, such as “I disappear, Therefore I am.” Instagram: @sareenasattapon Yukasa Narisada Born in 1998. Completed the Department of Architecture, Graduate School of Fine Arts, Tokyo University of the Arts in 2024. “Radioactive Ghost House” (2024), which focuses on decommissioned nuclear reactors and the nuclear colonialism behind them, and “Hong Kong Reverse”, which envisions a memorial space for the disappearing history. He thinks and expresses works mainly in architecture, video, and photography, such as “Transplant” (2021). Major exhibitions include “Ground Zero” (2023/Kyoto) and “I May Not Be (Kyoto/Tokyo)” (2022/Kyoto/Tokyo), which were selected for the Kyoto Art Center Co-program 2023. Instagram: @yukvsv Naoto Nakamura Born in Shiga Prefecture in 1996. 2019 Graduated from Kanazawa College of Art, Faculty of Arts and Crafts, Department of Design, Major in Visual Design. Major
exhibitions in recent years include “Fernweh Tripp (Tokyo Arts and Space Hongo, Tokyo, 2024)”, “OUT OF THE FIREMAN (SRR Project Space, Tokyo, 2023)”, and “Essays for Life” (Komagome Soko, Tokyo). , 2023)” etc. Received the TOKYO FRONTLINE PHOTO AWARD 2024 Yuki Tawada Award. Instagram: @naoto0_0 GROUP An architectural collective that designs, researches, and constructs spaces where people with different specialties can collaborate temporarily and continuously through architectural projects. Main works include “Shinjuku White House Garden”, a new art space designed and constructed for the exterior of “Shinjuku White House”, an early residential building designed by Arata Isozaki, and a 30-year-old tenement house built there. Examples include the Ebina Art Expressway, which was renovated by collecting and collaging traces of people’s lives. Major solo exhibitions include “Care/Repair” at WHITEHOUSE (2021, Tokyo) and a group exhibition, “Involvement/Rain/Water passage” at 21st Century Museum of
Contemporary Art, Kanazawa (2023, Kanazawa). Instagram: @groupatelier About Gas as Interface Co., Ltd. “GASBOOK” was launched in 1996 as a medium to collect new art and design ideas from around the world. The company was established in 2004 as a platform to connect domestic and international creators with society and companies. Since 2006 in Nishiazabu, Tokyo ” CALM & PUNK GALLERY ” is operated. Art complex ” GASBON METABOLISM ” was launched in August 2022. Company profile Company name: Gas as Interface Co., Ltd. Address: Asai Building 1F, 1-15-15 Nishiazabu, Minato-ku, Tokyo Representative: Shinjiro Nishino, Representative Director
Venue: About art, rice noodles, or paichu
https://prcdn.freetls.fastly.net/release_image/38948/151/38948-151-692cceb5b8fc375f03eadec9416c4bc5-3773×2517.jpg This is an art gallery where you can enjoy Taiwanese cuisine produced by The Chain Museum, which operates ArtSticker. We plan and manage monthly art projects in multi-tenant buildings that are scheduled to be demolished for redevelopment. As the name suggests, “Art or Rice Noodles?”, customers can enjoy viewing the works in the gallery space, or dine in the dining space. (You can enjoy the artwork while having a drink in hand.) The store’s name, “Shirachu”, is a coined word that combines respect and admiration for the white cube, and the sense of security and warmth that emanates from the kitchen. ▼Instagram https://www.instagram.com/paichu_artsticker/ About ArtSticker
https://prcdn.freetls.fastly.net/release_image/38948/151/38948-151-4ea8242623837501b4ff2b59fdaa951a-1920×1080.jpg A platform operated by The Chain Museum Co., Ltd. that provides opportunities to encounter art, a place to enjoy dialogue, and connects a series of art viewing experiences. Contains a wide range of works, from well-known artists to up-and-coming young artists. The genres of his works are diverse, including installations, paintings, and performing arts. In addition, ArtSticker aspires to connect art and artists directly with the world by encountering real and unique places, not just digitally. ▽ArtSticker Website ≫
https://artsticker.app/ ▽ArtSticker download URL ≫ App Store: https://apps.apple.com/app/artsticker/id1446438049 ≫ Google Play: https://play.google.com/store/apps/details?id=art.tcm.artsticker Overview of The Chain Mueum Co., Ltd. Company name: The Chain Museum Co., Ltd. (pronunciation: The Chain Museum) Address: 3rd floor, Daikanyama Art Village, 17-10 Sarugakucho, Shibuya-ku, Tokyo Daikanyama TOKO Representative: Representative Director Masamichi Toyama ▽The Chain Museum Official Website https://www.t-c-m.art/